Shvan Goran spotlights the opening of folklore and cultural exhibitions taking place in Duhok’s local museum through the efforts of historian Rafa’at Rajab in the Kurdish Globe:
In the centre of Duhok, a city which is stepping towards modern life, there is an old fashioned building where hundreds of ancient antiques and artefacts have been kept in the shape of a museum. As you enter the hall, these ancient pieces brighten your face and make you feel proud of being a part of this history. The museum is a part of the Directorate of Folklore in Duhok. Rafa’at Rajab, a man of his middle age, is the head of Folklore Directorate. He is a man of deep interest in folklore and Kurdish culture, and of humbleness in his manner towards anyone wants to talk to him about folklore. He will tell everything about the museum as you ask him. He knows about every single piece of antiques and artefacts the museum has. Rafa’at sees folklore as identity of nations. He says the nation with folklore is an original nation with its own history, indicating that every nation has to take interest and pay attention to their history and folklore by collecting folklore antiques and artefacts, including its various topics such as stories, myths, songs and what’s related to literary folklore works. On the other hand, he points out that a nation of ancient history and folklore has to be concerned with collecting those instruments that have been made by golden hands for satisfying their needs during a period of time in the past. Rajab divides Kurdish history concerned with folklore into two stages. The first stage is the pre-uprising stage which was full of apathy and disinterest, because Kurds in this part of Kurdistan were all under the control of a cruel regime. He says no one could do anything regarding folklore and history of Kurds unless under a strict censorship. He mentions that they sometimes were opening folklore and cultural exhibitions and were collecting antiques and artefacts and showcasing them in the exhibition, one or two days later, the regime would ask them to dismiss it. He states that now is the right time to bring those things which had been prohibited that time to get the world acquainted with our nation and culture. When foreign and local people come to the museum, they wonder where all those things have been, have all of these been used by our people in the past? “That’s why we should all take care of them, as the museum and as the government” says Rajab. The museum was established in 1998; although it was unofficially doing its work since 1991. There were also some personal attempts to collect artefacts and save them at home, till now there are people who are interested in it as a hobby. Rajab agrees on existing museums in every city and district as long as the aim for time being is collecting. He expects the government to issue some bills regarding folklore and establishes national museums in future, because he believes that if you didn’t get a single piece of artefact this year, you wouldn’t possibly obtain it next year. Regarding peoples’ responsiveness and support to the museum he says many people have donated their artefacts to the museum. As the directorate has its own instructions, so anyone donates a piece of artefacts, they register it and showcase it in the museum with his name written on a note card as an appreciation. There are other kinds of people who don’t donate the antiques to the museum freely, so the museum is going to buy it by a sum of money, in that case, they do not write any name on the piece. And there are other people need neither this nor that, they just donate the antiques to the museum as a sense of responsibility. He says they encouraged people via media to present the artefacts they have to the museum.